So here is a picture of my wonderful recording band. We will be playing this Friday at the 55 Bar in New York (if you or friends happen to be here) – all deets on my gigs page. Billy, is in Argentina so he won’t be at this one, which is a shame. Playing with him is like riding a racehorse – both incredibly sensitive and powerful at the same time. And, even if he is playing gently, you can feel that immense power is available to you – should you decide to go galloping off into the sunset, flying over every fence and hedge on the way. It’s so exciting. If you’ve seen him perform, watching him play gives you some idea, but actually playing with him is … well a whole other …er, animal. A horse animal.

Picture of me by Walter Wagner. Yotam Silberstein (guitars and oud), Yasushi Nakamura (bass), Adam Platt (piano), Billy Drummond (drums), Dana Leong (cello)
Picture of me by Walter Wagner. Yotam Silberstein (guitars and oud), Yasushi Nakamura (bass), Adam Platt (piano), Billy Drummond (drums), Dana Leong (cello)

Meanwhile, the rest of the band is amazing and we actually rehearsed (with Billy) and had more ideas. And I’ve had tons more since then. It’s hard to make myself go to bed even! I am so inspired by the subject and by my musicians (we have chemistry) – both their incredibe talent and their confidence in me (and mine in them). I can’t wait to go into the studio on Saturday and Sunday. I am so excited – and grateful – to be making this recording, and the more I think about it, the more important I think it is – speaking of runaway horses. I feel like I’m just riding this idea with no reins – clinging on and seeing where it’s going, hoping I don’t fall off (like I used to when I did real horse riding as a girl) because I really want to see where we end up. I have never been so excited to make a CD – and this will be my fifth.

In other news, my dear mentor, Mark Murphy died while I was in California. I was asked to write a tribute, which ended up being the Number One most read article in LondonJazzNews that week – which he totally deserved – and more. You can read it HERE.

w/ John Schiflett (bass) and David Udolf (piano) at Cafe Pink House, Saratoga, CA. Photo credit: Walter Wagner
w/ John Schiflett (bass) and David Udolf (piano) at Cafe Pink House, Saratoga, CA. Photo credit: Walter Wagner

And speaking of California, HERE   is one of the songs we are recording this weekend in a video made by someone who heard me the last time I was in Saratoga and asked if he could film me this time. Somehow one of the camera mics got messed up but I think it’s manageable. This is a trio version. When I record it for the album, I think I want to do it just duo with my fabulous cellist, Dana Leong – one of the ideas I had this week. But we’ll see how it goes in the studio. More to come. Meanwhile, here are some photographs of my trip to California.

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Picture credit" Walter Wagner
Picture credit Walter Wagner

 

My little trailer for two nights staying with dear friends Xandra and David and Jasmin
My little trailer for two nights staying with dear friends Xandra and David and Jasmin
Hanging out with one of my sweetest, oldest friends, Fordy, in Los Angeles
Hanging out with one of my sweetest, oldest friends, Fordy, in Los Angeles
It ended up being standing room only at Doc's Lab in San Francisco, where we had SUCH fun
It ended up being standing room only at Doc’s Lab in San Francisco, where we had SUCH fun
Jasmin's little tea set
Jasmin’s little tea set
Alisa Clancy and me before my KCSM radio Desert Island Jazz interview
Alisa Clancy and me before my KCSM radio Desert Island Jazz interview
My favorite airport. So retro
My favorite airport. So retro
The new tram in LA - not even operational yet
The new tram in LA – not even operational yet
Outside a jazz establishment where the Rat Pack used to hang
Outside a jazz establishment where the Rat Pack used to hang
Pool at house concert number 2
Pool at house concert number 2

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Egg provider at Xandra and David's
Egg provider at Xandra and David’s
My little trailer INSIDE for two nights staying with dear friends Xandra and David and Jasmin
My little trailer INSIDE for two nights staying with dear friends Xandra and David and Jasmin
Please note retro cowgirl curtain fabric
Please note retro cowgirl curtain fabric

Lew Soloff died on Sunday. A terrible loss for the jazz community and for everyone who knew him. I was invited by LondonJazzNews to write a short tribute because we played together so often in the past couple of years – in fact, the very last thing Lew said to me, a few weeks back on the phone, was: “You know I love playing with you, right?” I did. Because he told me all the time. And everybody loved playing with him. Click here to read the tribute at LondonJazzNews. Meanwhile, a few photographs of some of our gigs below. And to view a video of Lew soloing on ‘A Taste of Honey’ at our gig at the Iridium Jazz Club in September 2014, click the B&W image below.

w/ Lew Soloff, Yotam Silberstein and Yasushi Nakamura in the Green Room between sets at Rochester Jazz Festival, 2014
w/ Lew Soloff, Yotam Silberstein and Yasushi Nakamura in the Green Room between sets at Rochester Jazz Festival, 2014
w/ Lew Soloff at iridium, 2014
w/ Lew Soloff at iridium, 2014
w/ Lew Soloff, Dana Leong and Saul Rubin at 55 Bar
w/ Lew Soloff, Dana Leong and Saul Rubin at 55 Bar
Having sushi between sets at the Xerox International Jazz festival 2014
Xerox Rochester International Jazz festival with Yotam-Silberstein, Yasushi-Nakamura, and Lew-Soloff-2014

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1. SOME VERY COOL PRESS

It’s kind of cheating to put this in, but I think it was almost January when I found out via an email from Sebastian Scotney of the fabulous LondonJazzNews blog that Beyond the Blue had made Number 6 on Clive Davis’ Ten Best Jazz CDs of 2013 in the Times. I was also surprised to see I’d made it, for the second year running, into the Downbeat Critics Poll as a Rising Star vocalist
rochester crazy headline from rochester jazz fest
But probably the most  shocking was “Souter Steals the Show” in the Rochester Democrat and Chronicle by Jeff Spevac, the day after our gig at the Xerox International Jazz Festival. We also had some wonderful reviews and previews from Jack Garner, Ron Netsky (who was the very first person to write about me in Rochester), and an interview in the green room between sets with Derrick Lucas, host of The Spectrum on Jazz90.1 every Sunday from 10 p.m. – 1am. Basically, I am in love with all of Rochester. Thank you for making me feel like a movie star!

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2. SOME VERY COOL GIGS

This year I discovered Yotam Silberstein and Francois Moutin at my gig at Rockwells, part of a great series curated by Doug Panera. I also discovered the great young bassist Yasushi Nakamura in May, and guitarist Pete McCann

 

fun gig at pizza express
In London, at Pizza Express Jazz Club – another place that feels like a “home” gig to me – I got to play with Jim Hart again, along with Oli Hayhurst and ever-brilliant, Winston Clifford.  Clive Davis from the Times came on our second night. He didn’t look anything like his picture – which is probably because, he said (when I remarked), that picture was taken when he was five years old. He was very polite and didn’t say “You don’t look like your pictures either!” I live in fear of being dragged off the stage by irate people shouting: “We came to see this woman! Where is she?” waving flattering pics at me menacingly
Sitting in with Jason Rigby, Cameron Brown and Billy Hart at Trumpets Jazz Club
Okay, so not strictly a gig (at least not mine), but I was invited to sit in by Billy Hart with him, Jason Rigby and Cameron Brown at Trumpets Jazz Club. Bit nerves-inducing, but if I hadn’t said yes I’d have kicked myself for months afterwards. I sang The Creator Has a Master Plan to calm me down – Billy is on that recording with Pharoah Sanders

 

Blues Alley sign, 2014
I also returned to Blues Alley in DC. It feels so strange to be singing on the same stage as one of your heroines (Blues Alley was the “home gig” of the late and amazing Eva Cassidy). I love all the staff there too. They make me feel very welcome every time

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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3. SOME VERY COOL DEBUTS

Had a wonderful gig at Sheila Anderson’s Jazz in the Garden series at Newark Museum, NJ, except not in the garden because we were rained indoors, which everyone agreed was a good thing because the sound guy said the sound was better for our vibe. Plus the auditorium  was sold out (some people had to watch TV monitors out in the hall) and we got a standing O. With Yasushi Nakamura, Yotam Silberstein, Lew Soloff, Billy Drummond

 

iridium
And I had a great debut at the Iridium with Lew Soloff, Pete McCann, Yasushi Nakamura and Billy Drummond and fell in love with house manager Grace and sound man Rich who took care of us that night
w Pete McCann, Lew Soloff, Yasushi Nakamura and Billy Drummond at Iridium, Pic by Janis Wilkins

 

november Singing for Sheila's birthday at Metropolitan Room
Me singing with Cameron Brown at a tribute to Sheila Jordan. Another Janis Wilkins pic
Fort Grand, Perm. I blogged about these two gigs last month
Everjazz, Ekaterinburg

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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4. COOL NEW YORK HANG WITH DEAR FRIEND AND ROOMIE FROM #$&*! YEARS AGO

Dinner in NYC with dear friend Graham McTavish
Graham McTavish and me at dinner in Macy’s, New York

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5. SEEING LIVE AND MEETING ONE OF MY VERY FAVORITE JAZZ SINGERS

Youn Sun Nah
Catching my first live concert of one of my very favorite singers, Youn Sun Nah, at the Blue Note, and meeting her afterwards, when she gave me 3 CDs, which I now listen to on my new-to-me B&W speakers
This picture with Billy Drummond and Youn Sun Nah. Picture above of Youn Sun Nah and Ulf Wakenius. Extraordinary music

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6. HANGING WITH MUMS IN LONDON FOR THREE DAYS

spending time with my mum

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7. FINDING THIS MAGNIFICENT CHAIR ON A FOR SALE SIGN IN MY BUILDING

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Finding the chair of my dreams after checking out the real thing at Room and Board THAT VERY DAY. Came home and saw a sign in my elevator saying, “moving sale” and there it was. It’s a fake Charles Eames and it’s a bit worn but it is so comfortable and I have put it in my “sweet spot” and now spend many happy hours listening to music in it. #lifechanging – as are my new-to-me B&W speakers (oh, did I already mention those?) One day I will have it re-upholstered. But until then ….

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8. CATCHING BILLY DRUMMOND’S FREEDOM OF IDEAS DEBUT AT SMOKE

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Billy with Seamus Blake, Eric Reed, Dezron Douglas at Smoke Jazz club in August

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9. HAVING A HOLIDAY IN SPAIN/MOROCCO/GIBRALTAR WITH (AND COURTESY OF) MY BABY BROTHER

Holiday with bruv
Me and baby bruv in Spain
Accidentally trekking the Rock of Gibraltar in the  insane sun
Accidentally trekking the Rock of Gibraltar in the insane sun

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Home! New York! Despite driving rain, the 55 Bar was absolutely packed for both sets last night. And, as well as our beloved regulars, there were tons of new people there…. I felt utterly redeemed after California. Fire. Rain. Lonely days that you think will never end. Nothing stops New York-uhs, especially 55-uhs.!

THIS IS A PICTURE I TOOK OF NEW YORK IN THE RAIN A FEW WEEKS BACK. NOTE PEOPLE WALKING ABOUT IN IT.

So are just some of the reasons we love the 55:

1. It is an amazing place to work out new stuff and experiment in a no-pressure environment in front of a loving, receptive audience! Last night I threw all this stuff at Jason and Victor that we had never done before, Round Midnight, Just One of Those Things and other [gasp!] STANDARDS — which I almost never do but have, lately, rediscovered after a long long rest — and they did an great job, unfettered by the spectre of people sitting with arms and legs crossed miming “show me!”

2. You never know who will be in the audience. The President of East Timor came one night — admittedly he was brought by a friend, but it was very exciting and everyone wanted to know who was there who could possibly need the (extremely OBVIOUS) bodyguard who was at the bar looking like one of the baddies in the Matrix (too muscular for his suit with a curly wire protruding from behind his ear, like Agent Smith). THIS IS A PICTURE OF AGENT SMITH. Not at the 55 Bar.

3. We always sell CDs — although last night, RIGHT IN FRONT OF someone who had emailed me in advance to ask me to save my one remaining copy of Nights of Key Largo (Venus), I sold it to a young woman who wanted to buy the CD with “the sex song” on it (AKA’The Island’) because I thought he wasn’t coming. Yikes! Luckily, my latest shipment has arrived from Japan and is ready to pick up. To hear/buy any of my CDs check this link Tessa’s Music

4. The bar staff — led by their fearless leader, Tara — serve up magical potions with diverse names like “beer” and “wine” and “cocktail” but which all have the same marvelous effect of making you feel kind of warm and squiffy inside!

5. I’ve been playing there for more than six years every month, since the late and great Queva (that’s a picture of us hugging) gave me my first gig there in May 2003

and turned it into a “home” gig for me. Other “regulars”  include jazz giants Chris Potter and Mike Stern, and Motema (who put out my latest CD Obsession) label-mate, the amazing singer-songwriter KJ Denhert.  Queva once surprised me with a huge birthday cake and free champagne for everyone on a gig I did near my birthday, and then she did it again to celebrate my third anniversary of playing there.

6. Everybody knows your name! It’s like Cheers with good music. They even know my mum! (Pictured with me below — at the bar … hic!)