I am thrilled to be coming “home” this weekend for gigs starting in LA (Blue Whale, Monday, Nov 27th), then San Francisco (SF Jazz, Thursday, Nov 30th), Sebastopol (Ernie Shelton’s, Saturday, Dec. 1st) and Santa Cruz (Kuumbwa Jazz Center, Monday, December 4). Please come if you are around, and please also share on Facebook, Twitter, via email or whatever is your preference!
I just got back from playing the London Jazz Festival, which was sold out and spectacular fun! Two separate sets – they turned the house – and amazing audiences. The first set they were so quiet I wasn’t sure if they were even enjoying it (yikes!) but in the break so many people said they loved it and even cried (one person was “transformed” they said!) that I realized yes, British people are kind of shy – unless they are football hooligans, of course. Don’t seem to get many of those at my gigs.
I told that to the totally new house on the second set and said the best way to get a great performance is to give some feedback while you are actually performing and they dutifully went bonkers after each song. I had to tell them to stop it because it didn’t really count. Even though it iS true that a great audience can really raise the level of a performance gigantically. This was the liquored up 10:30pm set, so they didn’t really tone down that much, But it was big fun, as my man likes to say about good gigs, and I love my UK Band, Neville Malcolm, Sean Hargreaves and Winston Clifford. Beautiful players and people.
And as an added bonus I got to spend some holiday time with my family and some very dear, and very old (but young looking, of course) friends. And, yes, I brought back my Marks & Spencer’s Christmas pudding, which no doubt I will have to eat on my own, since my American friends don’t “understand” Christmas pudding (or Marmite, come to that).
I gave the limited edition copies of Picture in Black and White that I owed to my Kickstarter people and sold out of the rest on the gig! Hooray. However, I am bringing with me the copies I set aside to give to my California contributors – as well as copies to sell. This is a very limited edition. I only made 500. And most of those are spoken for already! So make sure to grab yours while you can.
I’ve been sort of holding off on press if I can, because the album is not freely available yet, but gigs must be publicized so there was a Q&A with me in LondonJazzNews about the album, which you can read HERE.. I think the San Francisco Chronicle is running a feature about me/it in the next few days. If you see it, please save me a hard copy! And there was a mini review of the second set at the Jazz Festival in LondonJazzNews: I have helpfully included it in its mini entirety below, but please do google Mini Reviews and LondonJazzNews to read more festival mini reviews, including Chris Potter, Jameo Brown and more. My friend Sue Edwards had requested I do the song, even though I wasn’t prepared and suddenly thought, Crikey! Will I remember the lyrics, it has been so long. But looking into Winston’s eyes reminded me. We used to sing it on every gig (about once a year).HERE is a 2009 version of us doing it.
“Tessa Souter, Pizza Express Jazz Club (18 November) A really beautiful, surprise a cappella duet from Tessa Souter and her drummer Winston Clifford at Pizza Express Jazz Club on Saturday night. Tessa’s version of Wayne Shorter’s Ana Maria (with her own lyrics) was also very moving.” (John Watson)
Meanwhile, see you in California with some more wonderful musicians. Josh Nelson and Dave Robaire in Los Angeles, And Hristo Vitchev, Dan Robbins and Lorca Hart in the Bay Area. I may try to get one of them to sing. But whether they do or not, I can’t wait!
Okay, it is totally insane but SOMEHOW, along with one of my favorite singers in the whole world, Youn Sun Nah, I have been picked as the one show overall not to miss at the upcoming (and actually star-studded) nine-day Xerox Rochester International Jazz Festival. Youn will be performing on June 29th (I’ll be in the audience) and I will be performing on June 30 and July 1. So you can see us both! Hooray! Not sure how that happened but I am thrilled! You can read the whole article here. Thank you Jack Garner (who picked me) and Jeff Spevac (who picked Youn Sun Nah) for putting me in the same camp as one of my ultimate musical heroines. And thank you, Rochester, for having me back. This will be my sixth year!
Billy Drummond and I went to see Youn Sun Nah perform a couple of years ago at the Blue Note in New York. When we went back stage, I was amazed that she knew who I was. She gave me three of her CDs, which she’d specially saved for me. It is so great to meet someone you admire and find out that they are every bit as lovely as their music.
Well, actually, it aired already … on Valentine’s Day this year. But it’s coming back to be re-aired on the Rochester PBS Network on Friday, June 17th at 10pm on WXXI-TV, and has just been released to the national networks. Watch this space for more news. Meanwhile, you can read all about the unbelievable series of cock-ups that led to this gig almost not even happening HERE
So here is a picture of my wonderful recording band. We will be playing this Friday at the 55 Bar in New York (if you or friends happen to be here) – all deets on my gigs page. Billy, is in Argentina so he won’t be at this one, which is a shame. Playing with him is like riding a racehorse – both incredibly sensitive and powerful at the same time. And, even if he is playing gently, you can feel that immense power is available to you – should you decide to go galloping off into the sunset, flying over every fence and hedge on the way. It’s so exciting. If you’ve seen him perform, watching him play gives you some idea, but actually playing with him is … well a whole other …er, animal. A horse animal.
Meanwhile, the rest of the band is amazing and we actually rehearsed (with Billy) and had more ideas. And I’ve had tons more since then. It’s hard to make myself go to bed even! I am so inspired by the subject and by my musicians (we have chemistry) – both their incredibe talent and their confidence in me (and mine in them). I can’t wait to go into the studio on Saturday and Sunday. I am so excited – and grateful – to be making this recording, and the more I think about it, the more important I think it is – speaking of runaway horses. I feel like I’m just riding this idea with no reins – clinging on and seeing where it’s going, hoping I don’t fall off (like I used to when I did real horse riding as a girl) because I really want to see where we end up. I have never been so excited to make a CD – and this will be my fifth.
In other news, my dear mentor, Mark Murphy died while I was in California. I was asked to write a tribute, which ended up being the Number One most read article in LondonJazzNews that week – which he totally deserved – and more. You can read it HERE.
And speaking of California, HERE is one of the songs we are recording this weekend in a video made by someone who heard me the last time I was in Saratoga and asked if he could film me this time. Somehow one of the camera mics got messed up but I think it’s manageable. This is a trio version. When I record it for the album, I think I want to do it just duo with my fabulous cellist, Dana Leong – one of the ideas I had this week. But we’ll see how it goes in the studio. More to come. Meanwhile, here are some photographs of my trip to California.
Everjazz was fantastic. Perhaps particularly because I actually made it, after a hair-raising drive from Perm, which was … fascinating – if by ‘fascinating’ you mean scary as hell and twice as fast. We started out at 9am, still dark, under a mauve sky which turned to blue to white to gray as our journey progressed into a snowstorm. “Finally!” I thought, all excited. “Real Russian snow!” But I kind of got less excited about the weather as we drove.
Hurtling along a slippery road, with snow blowing about on it like stage smoke, lined with relentless pine forests on either side – or silver birch copses hiding the odd triffid-like pine tree – every now and then we’d come upon twisted trucks stuck in a ditch, sort of like Star Wars metal beast versions of skeletons in an elephants’ graveyard. It reminded me of Los Angeles driving, except the cars whizzing by are only on one side of you because the road to Ekaterinburg is only two lane traffic. That sounds like it would be kind of country-lane-ish, doesn’t it. It wasn’t.
Who knew there were so many trucks? And daredevils wanting to play “Chicken” with trucks. At one point I dozed off and woke up to see – skittering towards us out of the blizzard (at speed) – a car in OUR LANE (at speed) with a huge truck in its lane. Yes, at speed. We were all at speed!
“Is okay! Is okay!” said my driver, Tatyana, patting my arm, as I hurriedly texted Billy the details of my travel insurance policy, which includes a clause to have my body shipped home so my son never has to pick up that cost. “Russian drrrivers!” she said, rolling her eyes. “Crrrazy!” (and her Rs) “Da!” I thought, with one eye on the speedometer (120 km per hour!) as we shot past a fresh wreath on the snowbank to our left followed by about 100 feet of charred car remains.
No danger of me falling asleep again. I don’t know why you feel safer if you keep your eyes peeled (well, obviously if you are driving, but I mean even as a passenger). But every time I looked up, it was to see cars or trucks looming out of the white coming towards us in our lane (at speed). And Tatyana patting my arm and smiling comfortingly. So when I say like driving in Los Angeles, I mean with cars hurtling towards youinyour lane, as opposed to on either side of you heading in the same direction (which is quite bad enough, thanks). I guess the car in front was having trouble picking a lane because of the ice. Eek. Eyes closed! No, eyes open! No closed! Okay, open!
Rather like Los Angeles, I was very relieved when we came upon a huge accident-induced traffic jam, until Tatyana (who could have given Lewis Hamilton a run for his money), whizzed off the road to make a massive detour through several snow-submerged villages, linked by extremely narrow one-lane roads. The only signs of life were gigantic Newfoundland type dogs on long chains in people’s front drives. Oh, and one guy ahead of us who seemed to be digging himself out of a snow drift. Amazingly, about half an hour later, we came out on the main road, ahead of the traffic. If that had been me driving, we’d have come out two or three hours later in exactly the same spot we went in (that actually happened to me in Central Park once).
But it could have been worse. I could have been waiting for a bus in one of the many bus shelters we passed. What? Are people air-lifted to them? Because I didn’t see any towns or villages nearby. Or buses, come to that. Just miles (and miles) of snow and pine forests. There were also random pedestrian crossings. I’m not kidding. In the middle of nowhere! Perhaps they are thinking if you build the pedestrian crossing, the pedestrians will come or something.
Anyway, arriving at my lovely hotel (the same one I stayed in when I performed at the Ekaterinburg Philharmonic Hall) was … well, lovely. More than lovely – a blessed relief!
The club, Everjazz, was great! I loved the decor – even though the tables had all been moved around for the party. Huge photographs lined the walls, the menus were sort of vinyl records, and in the room where the band ate dinner, the lighting was beautiful – cymbals (pictures below). Very clever. The band was wonderful again (same pianist, Anton Zoobarev, along with Portuguese drummmer, Luis Candeias, and bassist, Nelson Cascais), and the entertainment was … fantabulous.
They even had a bar tender show, with people flinging bottles around and making cocktails at the same time. And then I came home and packed – no time to sleep – so I could be ready for the 4am lobby call to come home …. for Christmas … with Billy.
Arrived at Perm feeling very capable, having negotiated my way to the airport on the same civilized train that brought me into Moscow, for only 400 rubles (pretty much free at the current exchange rate). I was picked up by my driver, Tatanya, at the other end and driven to my hotel and whisked out to dinner by Mary (like all Russians, she has about ten names but this is the one she uses with English speakers) and her fiancé, Alex.
Both so sweet. I have to say that I love the fact that, in spite of being super capable of doing anything a man can do, the men still help women on with their coats and pour their drinks. Very Southern gent and all. I’m talking men and women in their 20s.
And speaking of super capable, Mary is who I want to be anywhere near in the event of The End of the World. She is so absolutely in charge (in a good way), and fun. She introduced me to some truly evil (as in irresistible) chocolates, took me shopping in the freezing-arse cold across a giant parking lot to a huge shopping mall and caught me every time I nearly slipped over. Plus she speaks perfect English – which would come in particularly handy if I happened to be in Russia when The End of the World happened.
Next day, after a full night of actual sleep, I went to the club, Fort Grand, where I was greeted by giant picture of Beyond the Blue album at the door.
The rehearsal was easy peasy. Musicians have a superstition that if a rehearsal is too good then the gig will be bad, but it was good but not too good. The best rehearsal is when things “come up” to be dealt with. The worst rehearsal is when everything magically happens exactly as it is supposed to and then on the actual gig, when things come up you can’t stop and say: “Ah yes! Not like that, like this”. The band was great (Russian musicians are always, in my experience, extremely soulful), the audience was lovely and not too talky (they talk more in clubs there than in the US), the venue was beautiful and I had fun! And my shoes didn’t even kill me. I am so grateful to have been invited out of the blue to do this gig. In fact, I am so grateful to do gigs at all – especially in distant climes (even snowy ones). Especially when my shoes didn’t even kill me. More pics below.
A heads up to come and see us (Marvin Sewell, guitar, Dana Leong, cello, and me, voice) at the 55 Bar, TONIGHT, Friday, August 9.
Meanwhile, I am in sore need of a break from what started out as a mild bit of decluttering/feng shui and has now turned into a full on palarva. And I haven’t even started on the clothes and shoes – for example the high heeled leopard pumps that I allowed some stranger in the shop to persuade me to buy: “You have to buy them! High heeled leopard pumps are our sneakers!” – “our”, I now realize, referring to a particular group of idiots who believes people who say they can go jogging in shoes that are too high to even stand in, let alone walk in.
Which reminds me of the time I was shopping with my friend Robin and excitedly heard myself saying: “Those shoes are just perfect for … sitting down!” However, unlike me, she didn’t buy them – basically because walking in them would have required being on all fours. Meanwhile, those damn high heeled leopard pumps did fit me in the shop! I swear! And speaking of mysteries (and back to feng shui) …. what was I even doing with a giant bag of arborial (wot?) rice in the first place, and how did it quietly live in my fridge untouched for eight years!
Turns out that de-cluttering is a bit like jogging. Sounds like a great idea and it’s easy to start. But then after a few hours (or minutes, if it’s jogging, of course) you think, what am I doing? Only, instead of like jogging, where you can pretend you were just sprinting to the local wine bar for an emergency glass of wine, a few hours into de-cluttering, your place looks like a teenager’s bedroom. It’s like swallowing a raw egg – once you start you have to keep going. (What? You never ate a raw egg?!)
However, my newly painted fridge (yes, there is a thing called fridge paint) is now gleaming white, instead of dirty beige, and my landlord is giving me a new WHITE stove (the correct color for that “gua’ of my apartment). And my super is laying me a new kitchen floor (can this be due to cleaning up my “helpful people” gua?) And since I’ve got the paint tin open and I forgot to buy mineral spirits to wash my brush, I’ve been going mad, fridge-painting everything – including the kitchen cupboards, the wall around the stove and the kitchen window. And a green filing cabinet. Aaaah! It will feel fab when it is done. Unlike raw egg ingesting.
Which brings me to tonight (Friday) …. eggnog anyone? Actually, do they even sell it at the 55? Maybe not. But they do have emergency wine and other choice beverages, and Kirby to dispense them at the bar and me and Dana (Leong on cello) and Marvin(Sewell on guitar) to entertain you, and Pascalito is going to sit in on Avec le Temps (singing in real French!) and his mum, a visiting singer from France will sing a song. It will be fun, especially if you come! And I’ll wear my leopard pumps (just perfect for sitting on the bar stool!)
See you there, I hope! My Top Ten Feng Shui tips below:
Don’t start! Unless you actually like drinking raw eggs.
I have been feeling so guilty about not blogging here for nearly two weeks. I was in London, which was fantastic in some ways. One of my very best friends turned 50 and I had to give a speech at her dinner party for 50 (in their back garden. In a tent. In a Force 10 rainstorm). And sing a song written by her ten year old. A marvelous song. But my rendition … well, … (as the Birthday Girl herself pointed out) … think, Phoebe on Friends singing ‘Smelly Cat’. I also saw Sheila Jordan perform three times — each time more fantastic than the last (to see my review of her Royal Opera House gig, click here)– and got to chat with one of my all-time heroines, who I ran into in the audience — Norma Winstone. And I saw Billy perform at Queen Elizabeth Hall with Carla Bley (he is a Lost Chord) and they got a standing ovation. Here is a review in the Daily Telegraph of the performance. And here is a picture of them all. They do look rather lost.
My own gig at Pizza on the Park was … well, the first set was pretty good, I think. It’s always hard to know. Certainly it had its moments. But we were under-rehearsed, so the second set was a bit shambolic. In my opinion. But … see … you can’t always be on. However, it was sold out (always gratifying) and the audience was wonderfully appreciative. And overall, I had a wonderful time in London. It was incredible to see my own boyfriend perform in my own home town and get to stay in swanky hotel with him for two nights. And, as an added bonus, I was recognized quite randomly in three different places by three strangers as “Tessa Souter” (when this happens, as it has — gasp! — four times in the past few months, it always feels like this Tessa Souter is someone else who I am impersonating).
Here is a gratuitous video of my UK drummer, the amazing Winston Clifford, singing my song Usha’s Wedding with me. This is a couple of years old (our version on November 12 was miles better) and the sound isn’t ideal. But it gives an impression. Winston, by the way, can sing better than anyone! Note perfect John Coltrane solos! Need I say more? I love his vocal tone. I can’t remember how I discovered he could sing but I am so glad I did. He sings this with me every time I play in London.
Bud Powell, Charlie Parker and … Me! You ask…?
So the title of this blog … Well, this weekend I had severe chest pains for the third time this week, so I called my best friend Neil and he insisted I call his best friend, doctor turned novelist Ethan Canin (who introduced us in San Francisco 15 years ago when I was a writer and I was the first woman member of the Writer’s Grotto), and he insisted I go to ER at Bellevue Hospital where I was put to the front of the line at once by a nurse. I didn’t see that it even was a line until she left and guiltily repositioned myself at the back and got shouted at when she returned to find me there. “Did anyone tell you to move?” Er, no. “So why are you standing there instead of here?” Well, I saw there was a line and … “You’ve got chest pains, right?” Yes. “So get back to the front!” And she shouted at the line like it was their fault for looking at me wrong. Sort of Nurse Ratchet, but in a good way.
Next I was whisked off on a stretcher-cum-bed thingie and X-rayed and EKG’d and hooked up to heart monitor (two baths later I am still scraping off the gunk they use to stick them on with) and blood pressure machine for what turned out to be the entire weekend in ER because they had no beds in the heart section (where I would have been put had they had any beds there).
Now, People, the Emergency Room of a public hospital is no place to get actual SLEEP. The rotating cast of characters was loud. The man in the bed to my left, thankfully hidden behind a curtain, was shouting incoherently for about half an hour, until the doctor arrived and then he very lucidly asked for: “Ah yes, two Percoset, please. 300 milligrams!” The doctor wanted to know why he wanted it. “It takes away everything, Nurse. EVERYTHING! All of Vietnam, all of the pain, the pus, … all gone!” Actually I’m a doctor, she said and we don’t just give people Percoset when they ask for it. “I need it, doc. For the pus!” Pus? “Yes, pus! That’s another word for pain. I read it in the medical dictionary. You’re a doctor and you don’t even know that!” He was sent off with Ibuprofin. But see, he probably shouldn’t have started out calling her “Nurse.”
As a germ phobe, I can think of better places to spend the night. The bed next to mine had must have been the designated bed for cough-ers — one of whom thought she might have H1N1 (she was sent home, so I think she was fine). Another woman, in with exactly the same symptoms as mine got dispatched home — after she’d eaten dinner. Ethan thought perhaps because she was in every week. I couldn’t eat the food (ham and cheese sandwiches and green jello) so Neil turned up with an enormous bag of food, but every time I reached for it someone behind another curtain would make awful, long, heart-wrenching, choking noises. He was also loudly questioned about how often he pooed and whether he wanted to use a bed pan or have a diaper put on. He chose the latter. As I quietly returned my plastic bag of food to the shelf under my stretcher-cum-bed thingie.
Dozing was the only thing possible. I got woken up at various intervals by people shouting (“Im going to get my attorney on to those cops for bringing me here. He’s a scary man. He’s going to sue your asses!”). Or putting in their drug orders (one man recited a huge list — none of which were available, but he must have had something serious because they gave him Morphine). Or to the sight of a man with his hands cuffed behind his back being marched past the end of my bed by a cop (there are almost as many cops as nurses in Bellevue ER), and even a group of itinerent types, awkwardly handcuffed together, shuffling through the ward. And lots of bright young people in red polo shirts, who turned out to be volunteers. I mean ALL NIGHT! Never again let me hear anyone complain about “young people today.”
I can’t even tell you how many times I was woken up to have my temperature taken or to be jacked up to a drip because my blood pressure was … well, I say “dangerously low” (like 54 over 40) but is there any such thing as that when it comes to blood pressure. Even the daytime doctor agreed with me when I pointed that out. It’s usually 90/60 — the blood pressure of a five year old child. When I told him that I had once been told by a doctor that I had a “beautiful small heart”, he said that would explain my low blood pressure and then ran off excitedly to see the X-ray for himself.
No, we don’t know why I am getting chest pains. I suspect stress, which makes it a relevant blog on this mad life I (and maybe you) have chosen to live. Here is MY diagnosis: I collect feelings in my chest. If I see an injury it always gives me a sharp pain there. If I relax, that is where I get a tickly feeling. When I am moved by music, my chest is where I feel it. Beautiful music vibrates like a pain in my breastbone. So my theory (the doctors are still working on theirs) is that I am getting all stressed up in the night while I sleep and waking up with chest pains. Bud Powell and Charlie Parker (finally, the blog title explained!) also made visits to Bellevue, so I am in good jazz company.
Meanwhile, I can’t wait for Billy to get back on Saturday from the European tour. Poor thing was super worried when he got the message that I was in ER — not helped by the fact that my phone died while I was there and he couldn’t get in touch with me. Well, I say “poor thing” but he is ending his tour in Monaco, and will have the day off in Nice (poor darling!) over Thanksgiving. His soothing presence will have to suffice in lieu of my coming up with a fabulous money-making idea which will keep me in the manner to which I wish to become accustomed while I focus on my MUSIC alone, instead of all the trillions of things that go along with living day to day at the same time as feeding the constantly Hungry Baby of this “career” of mine.
Meanwhile, lucky me that I got so well taken care of this weekend, even though I didn’t really have the time to spare, and (in my rush to leave) had left my pot of paint open with the brush on top of it so it was all dried out when I got home. And I got to witness some very gentle, sweet people who are in the world looking out for all of us. Nurses and doctors are really not just in it for the money. They are — inspiringly — patient and kind, even (perhaps even particularly) when refusing to hand out Percoset like Hallowe’en candy.
Today I have a question to answer, which MP left today on Day 1 of the blog.
Question: “I have started on my 5 year plan, resolved to leave “realistic” out of it, and come up with something inspiring and fantastic. A few days into this assignment, however, and I am finding that I am having trouble dreaming and visualizing. Have I become resolved to settling? I don’t think so, because I am not comfortable here, either. Tips, pointers, encouragement??? Any insight would be most appreciated.”
By now we’ve all heard that hackneyed Goethe quote: “Whatever you think you can do or believe you can, begin it. Action has magic, grace and power in it.” If only it were that simple. But it’s not. Because, although starting is important (duh!), at no point are you more vulnerable to stopping dead in your tracks than at the beginning. As Martha Graham once said: “The ordeal of isolation, the ordeal of loneliness, the ordeal of doubt, the ordeal of vulnerability which it takes to compose in any medium is hard to face.”
It’s no wonder so many of us give up before we even begin.
Have you heard of Charlotte Bronte’s novel Emma? No? Ah.That will be because when she showed the first few pages to her new husband (she married late, thank goodness) he said: “Hmm. Not up to your usual standard, dearest….” And she never wrote another word, of that, or any other novel, ever again.
So, MP, are you being your own “Mr Bronte”? Is the problem with your dreaming and visualizing coming from your inability to really believe in the outcome. Are you being too hard on yourself, thinking who the hell do you think you are? Are you stumbling over visualizing all the steps it will take to get there?
For any or all of the above, my advice is to go one small step at a time. “You don’t have to take the whole staircase,” to quote Dr. Martin Luther King. “Just take the first step.”
For example, keep visualizing yourself collecting your Oscar or Grammy or Whitbread or Nobel or other relevant prize. But then visualize only the NEXT step towards it. Not all the steps.
When I started singing, all I had to do was trundle along to the next open mic. The idea of having a CD, let alone three CDs as I do now, was miles away in my mind. It was a dream, perhaps, but absolutely not something I considered a real possibility. The same with being a journalist. When I got my first job as an editorial assistant, actually writing for magazines was a dream but, again, not something I really thought would happen. But I faithfully took the first step by applying for (and beating out a hundred others to get) a job as a lowly editorial assistant at Parents magazine.
Did I think I would one day be writing for The Times or Elle or Vogue — which is what I ended up doing? Absolutely. er… Not. And when I got my first commission, when the Parents editor just announced at a meeting one day that I was going to be doing a piece for the next issue on introducing children to the opera and ballet and other adult leisure pursuits, I was shocked. And terrified.
So I called my writer friend, Sarah Litvinoff, author of The Confidence Plan: Essential Steps to a New You, who at the time I barely knew, and asked if I could read her my first paragraph over the phone. “Of course!” she said. When I’d finished she said: “Oh, it’s wonderful. I can’t WAIT to hear the next paragraph!” Eventually, paragraph by paragraph (all read to Sarah over the phone), I finished it.
Actually, even while I was writing this book, I struggled with the idea of writing an entire book, until my editor at Random House told me to think of each chapter as its own long article. That made it much more manageable.
So my advice to MP at this stage is:
Keep visualizing the “end”, in a very light way, without thinking at all about allthe steps it will take to get there.
Think about ONLY the very nextstep — going to the next open mic, applying for magazine jobs, writing the next paragraph….
Enlist the cheer-leading skills of a friend who believes in you and (very importantly) the possibilities for you.
For crying out loud, don’t ask “Mr Bronte” what he thinks — even if he’s you.