Rochester Magazine arrived in the mail yesterday and somehow my picture and story leads the “Most Memorable Moments from the Festival” cover story. Thank you Gary Craig and Rochester Magazine and the Xerox Rochester International Jazz Festival. So great to be included among some of my favorite musicians – including Catherine Russell, Joe Locke, Gwyneth Herbert, Grace Kelly and more. In case the print is too small in this picture, you can read it online HERE.
I hope you can make it to Pizza Express on June 23, to celebrate love and happiness with Sean Hargreaves, Alec Dankworth, Winston Clifford and me. The deal has now been changed (well, the World Cup is on!) to TWO sets for $20. So if you can’t get enough of me (which I hope you can’t), then come to both. And if you can only make the second set, that is only $15. So book (please!) accordingly. The other day after a strangely happy set, Kirby (bar person at the amazing 55 Bar, where I am blessed to have been singing every month for the past 15 years) said I should do an entire CD of happy love songs called “Love Wins.” So let’s test it out! Love is a many splendored thing (no, I won’t be singing that) and should be celebrated more.
But I may have to include one or two sad songs, to keep people … er, happy! Because, apparently, negative emotions are addictive – activating the exact same beta-endorphine and dopamine pathways in our brains that heroin does! Here is a great article on TinyBuddha on what to do about it if you are a negaholic (yes, that is a word!).
Meanwhile, I have certain songs I simply won’t sing because I can’t mean them. “Don’t Explain,” for example. Are you kidding? “Skip that lipstick…?” I don’t think so! And if you can’t come up with a convincing explanation (what is amazing here is that you might think there IS one!) I will be a private detective until I find out whose it is. Now that I am with someone “perfect” (well, except for the hoarding!), I know that if you have to ask the question, you already know the answer. And having got used to a “good” one, and perhaps broken my addiction to that other kind, just looking at that other kind turns my stomach, like smoking does now that I’ve not had a ciggie for years!
In related news, I am on a “Negativity Fast” – you are not allowed to say anything negative for seven days and if you do, you have to start again from the beginning. Which is hard (in fact, just saying that might mean I have to start again from Day One – let alone bringing up the hoarding!). I’m on about Day … okay, I’m on Day One (again!). But it’s great to keep trying and be aware of it. And every night I list ten things I am grateful for. On my list today, I am super grateful to be going to Vienna for the weekend on the 15th to stay with one of my very best friends/kinda-sorta spiritual guru, singer-saxophonist Sheila Cooper – I will be recording one of her songs on my next album – followed by singing at Pizza Express and eating my favorite pizza, the FIorentina. Here we are the last time I was there.
It was such fun playing the London Jazz Festival, which was sold out! Two separate sets – they turned the house – and amazing audiences. The first set they were so quiet I wasn’t sure if they were even enjoying it (yikes!) but in the break so many people said they loved it and even cried (one person was “transformed” they said!) that I realized yes, British people are kind of shy – unless, of course, they are football hooligans (hopefully, the hooligans will be at the world cup).
There was a mini review of the second set at the Jazz Festival in LondonJazzNews: I have helpfully included it in its mini entirety below, but please do google Mini Reviews and LondonJazzNews to read more festival mini reviews, including Chris Potter, Jameo Brown and more. My friend Sue Edwards had requested I do the song, even though I wasn’t prepared and suddenly thought, Crikey! Will I remember the lyrics, it has been so long. But looking into Winston’s eyes reminded me. We used to sing it on every gig (about once a year). HERE is a 2009 version of us doing it.
“Tessa Souter, Pizza Express Jazz Club (18 November) A really beautiful, surprise a cappella duet from Tessa Souter and her drummer Winston Clifford at Pizza Express Jazz Club on Saturday night. Tessa’s version of Wayne Shorter’s Ana Maria (with her own lyrics) was also very moving.” (John Watson)
See you there! PS If you want to review my book, which would be super helpful, this is the LINK, where I see someone called Natascha just reviewed it. Thank you, if Natascha is one of you! What? You didn’t buy it yet? Well, I’d love it if you would. That $3.99 (minus Amazon’s cut), along with all writing proceeds, is going towards my radio promo campaign for the new album, which officially drops in September.
I’ve just found out about Tidal – according to the blurb:. “the first music service with High Fidelity sound quality, High Definition music videos and curated editorial, expertly crafted by music journalists.” Anyway, you can now stream my music on Tidal. One of my audiophile friends let me know, so I’m letting you know. Click the picture to go to the Nights of Key Largo album, but I think Obsession is on there too. In other news, my albums Nights of Key Largo (Venus) and Beyond the Blue (Venus) are now available as SACDs – Super Audio Compact Discs, For those who don’t know, single-layer SACDs can only be played on a Super Audio CD player. Check them out on the CDs page.
Each year that I go back to this jazz festival (this was my sixth year) it’s better than before! Rochester was my first ever festival (in 2007) and I think it will always be my favorite. I will always be forever grateful to Ron Netsky who wrote my first preview, and first review, which was the beginning.
This year I went a day early without even realizing that meant I could see one of my very favorite singers, the phenomenal Korean vocalist Youn Sun Nah. She was, as usual, amazing and we all loved her. At least I think that’s what three standing ovations means , , ,
And afterwards, backstage with Ron Netsky, she hugged and kissed me and asked after my family. I was amazed she would remember so much about me. from one meeting plus my having picked one of her songs as one of my Jazz Jukebox (click the play arrow) choices when I played at Ruth Price’s Jazz Bakery one year. Then again, that’s how she sings – very real and engaged and generous. I have bought her albums for the children in my life – I am nine, so I know what other nine-year-olds love – and they all love her too.
Our own festival gigs were fantastic. The Rochester crowd is always incredible. Someone in the audience on the first night welcomed me “home” and that is what it feels like now! But this year I was worried about filling such large capacity rooms (700 and 500) over two nights. But there had been so much fantastic pre-press in the Rochester Democrat & Chronicle and the Rochester City Paper (see below) that all the shows were packed and a lot of people came to both nights! Thank you. Here are the reviews of the first night for the first set (by Justin Murphy of the Rochester Democrat & Chronicle) and the second set (by Ron Netsky of the Rochester City Paper). Being interviewed by Derrick Lucas of 90.1 definitely helped too – although please excuse my appearance. Who knew that a radio interview would be video-ed! And thank you also Lee Russ on North Coast Radio. I’ll be back! Here are some of the pictures.
Finding my way between the two cities notwithstanding (always a challenge for the directional dyslexic), I was so thrilled to be back at Doc’s Lab in San Francisco this week, and blown away to have my debut at the San Jose Jazz Festival Summerfest, playing with wonderful musicians, Hristo Vitchev, Dan Robbins and Jemal Ramirez.
Not to mention staying with my lovely friend Shannon, surrounded by Redwood groves and lovely smelling flowers and eucalyuptus trees. Something about those Redwoods. They feel so present, as if they have souls or something.
And having my coffee on the deck in the morning with birds. And eating pears picked from the trees in the garden. Shannon totally spoiled me! I could get used to that life.
My San Jose Jazz Festival debut was amazing fun and we sold out Cafe Stritch, which surprised me because the venue is huge. Then again, that’s why we love festivals. I kept running into people outside when I was wandering around who said they’d been turned away at the door. But I played two days – the second day with just Hristo and Jemal in the Pagoda Room – so some of the people who hadn’t been able to get in the day before were able to make it, and some who had been there the day before made it again. It is so wonderful traveling for music and meeting new people – including my new-to-me cousin, Gabrielle, who came with her beautiful daughter, Arielle. And making it even more fun, we were interviewed on the spot for KCSM Radio by Dick Conte and Melanie Burzon. I love California.
Cafe Stritch has the best green room I’ve ever seen. You could have another gig up there. In fact, I think they used to have gigs up there years ago. I wielded my all-stages pass and ran into tons of great musicians, including Karrin Allyson (also playing at Cafe Stritch), The Royal Bopsters, JC Stylles, Will Calhoun, Nastuko and Eddie Henderson and Jana Herzen. It’s a beautiful festival in a beautiful city. More please!
So here is a picture of my wonderful recording band. We will be playing this Friday at the 55 Bar in New York (if you or friends happen to be here) – all deets on my gigs page. Billy, is in Argentina so he won’t be at this one, which is a shame. Playing with him is like riding a racehorse – both incredibly sensitive and powerful at the same time. And, even if he is playing gently, you can feel that immense power is available to you – should you decide to go galloping off into the sunset, flying over every fence and hedge on the way. It’s so exciting. If you’ve seen him perform, watching him play gives you some idea, but actually playing with him is … well a whole other …er, animal. A horse animal.
Meanwhile, the rest of the band is amazing and we actually rehearsed (with Billy) and had more ideas. And I’ve had tons more since then. It’s hard to make myself go to bed even! I am so inspired by the subject and by my musicians (we have chemistry) – both their incredibe talent and their confidence in me (and mine in them). I can’t wait to go into the studio on Saturday and Sunday. I am so excited – and grateful – to be making this recording, and the more I think about it, the more important I think it is – speaking of runaway horses. I feel like I’m just riding this idea with no reins – clinging on and seeing where it’s going, hoping I don’t fall off (like I used to when I did real horse riding as a girl) because I really want to see where we end up. I have never been so excited to make a CD – and this will be my fifth.
In other news, my dear mentor, Mark Murphy died while I was in California. I was asked to write a tribute, which ended up being the Number One most read article in LondonJazzNews that week – which he totally deserved – and more. You can read it HERE.
And speaking of California, HERE is one of the songs we are recording this weekend in a video made by someone who heard me the last time I was in Saratoga and asked if he could film me this time. Somehow one of the camera mics got messed up but I think it’s manageable. This is a trio version. When I record it for the album, I think I want to do it just duo with my fabulous cellist, Dana Leong – one of the ideas I had this week. But we’ll see how it goes in the studio. More to come. Meanwhile, here are some photographs of my trip to California.
Lew Soloff died on Sunday. A terrible loss for the jazz community and for everyone who knew him. I was invited by LondonJazzNews to write a short tribute because we played together so often in the past couple of years – in fact, the very last thing Lew said to me, a few weeks back on the phone, was: “You know I love playing with you, right?” I did. Because he told me all the time. And everybody loved playing with him. Click here to read the tribute at LondonJazzNews. Meanwhile, a few photographs of some of our gigs below. And to view a video of Lew soloing on ‘A Taste of Honey’ at our gig at the Iridium Jazz Club in September 2014, click the B&W image below.
Inspired by Stephen Graham’s excellent Marlbank comparison blog on Angel Eyes. I thought I would share six very different versions of ‘Send in the Clowns’ that you might not know. This song has been recorded by so many people. Kind of like ‘My Way’ – except I don’t think Sid Vicious actually did it. Thank the lawd! And speaking of ‘My Way’ (made most famous by Frank Sinatra), here is a gorgeous version of ‘Send in the Clowns’ by Frank, performed duo with Spanish guitar – not sure what to make (if anything) of the fact that he doesn’t look at the guitarist at the end. There is also a karaoke version that you can do, a figure skated version (I have a weakness for figure skating and this one is amazing), and an instrumental solo piano version by Freddie Mercury (who knew?). But first, the (I think) definitive version by Sarah Vaughan. All on brilliant, wonderful YouTube. Click on the picture. In order of appearance Sarah Vaughan, Frank Sinatra, Blossom Dearie, Freddie Mercury, Yuna Kim (start at 1:17) and you!
1. SOME VERY COOL PRESS
2. SOME VERY COOL GIGS
3. SOME VERY COOL DEBUTS
4. COOL NEW YORK HANG WITH DEAR FRIEND AND ROOMIE FROM #$&*! YEARS AGO
5. SEEING LIVE AND MEETING ONE OF MY VERY FAVORITE JAZZ SINGERS
6. HANGING WITH MUMS IN LONDON FOR THREE DAYS
7. FINDING THIS MAGNIFICENT CHAIR ON A FOR SALE SIGN IN MY BUILDING
8. CATCHING BILLY DRUMMOND’S FREEDOM OF IDEAS DEBUT AT SMOKE
9. HAVING A HOLIDAY IN SPAIN/MOROCCO/GIBRALTAR WITH (AND COURTESY OF) MY BABY BROTHER