I’ve just found out about Tidal – according to the blurb:. “the first music service with High Fidelity sound quality, High Definition music videos and curated editorial, expertly crafted by music journalists.” Anyway, you can now stream my music on Tidal. One of my audiophile friends let me know, so I’m letting you know. Click the picture to go to the Nights of Key Largo album, but I think Obsession is on there too. In other news, my albums Nights of Key Largo (Venus) and Beyond the Blue (Venus) are now available as SACDs – Super Audio Compact Discs, For those who don’t know, single-layer SACDs can only be played on a Super Audio CD player. Check them out on the CDs page.
Each year that I go back to this jazz festival (this was my sixth year) it’s better than before! Rochester was my first ever festival (in 2007) and I think it will always be my favorite. I will always be forever grateful to Ron Netsky who wrote my first preview, and first review, which was the beginning.
This year I went a day early without even realizing that meant I could see my favorite contemporary singer, the phenomenal Korean vocalist Youn Sun Nah. She was, as usual, amazing and we all loved her. At least I think that’s what three standing ovations means , , ,
And afterwards, backstage with Ron Netsky, she hugged and kissed me and asked after my family. I was amazed she would remember so much about me. from one meeting plus my having picked one of her songs as one of my Jazz Jukebox (click the play arrow) choices when I played at Ruth Price’s Jazz Bakery one year. Then again, that’s how she sings – very real and engaged and generous. I have bought her albums for the children in my life – I am nine, so I know what other nine-year-olds love – and they all love her too.
Our own festival gigs were fantastic. The Rochester crowd is always incredible. Someone in the audience on the first night welcomed me “home” and that is what it feels like now! But this year I was worried about filling such large capacity rooms (700 and 500) over two nights. But there had been so much fantastic pre-press in the Rochester Democrat & Chronicle and the Rochester City Paper (see below) that all the shows were packed and a lot of people came to both nights! Thank you. Here are the reviews of the first night for the first set (by Justin Murphy of the Rochester Democrat & Chronicle) and the second set (by Ron Netsky of the Rochester City Paper). Being interviewed by Derrick Lucas of 90.1 definitely helped too – although please excuse my appearance. Who knew that a radio interview would be video-ed! And thank you also Lee Russ on North Coast Radio. I’ll be back! Here are some of the pictures.
Thank you, Ron Netsky at the Rochester CIty Paper for this.
And Jack Garner (and Jeff Spevac – yes, do go and see Youn Sun Nah!) – for this
Okay, it is totally insane but SOMEHOW, along with one of my favorite singers in the whole world, Youn Sun Nah, I have been picked as the one show overall not to miss at the upcoming (and actually star-studded) nine-day Xerox Rochester International Jazz Festival. Youn will be performing on June 29th (I’ll be in the audience) and I will be performing on June 30 and July 1. So you can see us both! Hooray! Not sure how that happened but I am thrilled! You can read the whole article here. Thank you Jack Garner (who picked me) and Jeff Spevac (who picked Youn Sun Nah) for putting me in the same camp as one of my ultimate musical heroines. And thank you, Rochester, for having me back. This will be my sixth year!
Billy Drummond and I went to see Youn Sun Nah perform a couple of years ago at the Blue Note in New York. When we went back stage, I was amazed that she knew who I was. She gave me three of her CDs, which she’d specially saved for me. It is so great to meet someone you admire and find out that they are every bit as lovely as their music.
Finding my way between the two cities notwithstanding (always a challenge for the directional dyslexic), I was so thrilled to be back at Doc’s Lab in San Francisco this week, and blown away to have my debut at the San Jose Jazz Festival Summerfest, playing with wonderful musicians, Hristo Vitchev, Dan Robbins and Jemal Ramirez.
Not to mention staying with my lovely friend Shannon, surrounded by Redwood groves and lovely smelling flowers and eucalyuptus trees. Something about those Redwoods. They feel so present, as if they have souls or something.
And having my coffee on the deck in the morning with birds. And eating pears picked from the trees in the garden. Shannon totally spoiled me! I could get used to that life.
My San Jose Jazz Festival debut was amazing fun and we sold out Cafe Stritch, which surprised me because the venue is huge. Then again, that’s why we love festivals. I kept running into people outside when I was wandering around who said they’d been turned away at the door. But I played two days – the second day with just Hristo and Jemal in the Pagoda Room – so some of the people who hadn’t been able to get in the day before were able to make it, and some who had been there the day before made it again. It is so wonderful traveling for music and meeting new people – including my new-to-me cousin, Gabrielle, who came with her beautiful daughter, Arielle. And making it even more fun, we were interviewed on the spot for KCSM Radio by Dick Conte and Melanie Burzon. I love California.
Cafe Stritch has the best green room I’ve ever seen. You could have another gig up there. In fact, I think they used to have gigs up there years ago. I wielded my all-stages pass and ran into tons of great musicians, including Karrin Allyson (also playing at Cafe Stritch), The Royal Bopsters, JC Stylles, Will Calhoun, Nastuko and Eddie Henderson and Jana Herzen. It’s a beautiful festival in a beautiful city. More please!
I had such an amazing time in England this trip. First of all, I got to hang with my family, which was a gigantic treat. And I got to travel around the country a bit more than usual. I went to Durham for the first time, which is so beautiful. Super English and very civilized (by which I mean they had fish and chip shops, cake shops, tons of well-stocked Oxfams, decent Cadbury’s chocolate, PG Tips and great Indian food).
And I had my debut performance in gorgeous Newcastle which I am horrified to report I had never been to before, and which I was surprised to find at least as beautiful as (famously beautiful) Bath. Prior to this visit, the only associations I had were coal (as per the saying “Like taking coals to Newcastle”), beer (Newcastle Brown Ale) and factories. How wrong. Besides which, it’s worth going there for the accent alone, which is hands down IMO the most beautiful accent in all of Great Britain. I was asking directions just to hear it over and over again. And I got to play with the Peter Gilligan Trio which was really fun at a wonderful venue called The Cherry Tree. I have to keep reminding myself how lucky I am to play with all these great people all over the world.
Speaking of which, London’s Pizza Express was a blast. We had a packed house, which is always fun, and I got to sing with the incredible Cleveland Watkiss who surprised me by being in the audience and who I invited onto the stage for an unrehearsed “I’ll Remember April” (I think) as well as to join me with drummer/singer extraordinaire Winston Clifford (who I always love singing with in London) on Ayub Ogada’s “Kothbiro” – singing harmonies and taking turns at soloing. What an amazing singer and musician and what a treat it was to share the stage with him at first sight! My cousin, bassist Sara Loewenthal, of the Reggae Philharmonic Orchestra, who has wanted to get us in the same stage for years, took the pictures.
It was also my first time playing with Neville Malcolm and Sean Hargreaves – both beautiful people and players and this trio is now my UK core band. I love them and we laughed so much at our six-hour (pub break included) rehearsal – which I went to pretty much straight off the plane from New York. Eesh! Yes I was tired but it didn’t matter. And I also had my first ever gig at Pizza Express in Maidstone, which was lovely in a more low key way (by which I mean, er . . . not packed), and I met some lovely people, who I hope to see next time.
I’m finishing up my next CD and will plan a trip back maybe in the fall. Not sure yet. But definitely before the weather turns mean – although, it has to be said, it rained every single day of this trip. So I suppose, to borrow a poem by (quite obviously British) Anon:
We’ll weather the weather
Whatever the weather,
Whether we like it or not.”
See you then!
Well, actually, it aired already … on Valentine’s Day this year. But it’s coming back to be re-aired on the Rochester PBS Network on Friday, June 17th at 10pm on WXXI-TV, and has just been released to the national networks. Watch this space for more news. Meanwhile, you can read all about the unbelievable series of cock-ups that led to this gig almost not even happening HERE
Finally getting near to the finished mix of Picture in Black and White. Next up – mastering! I can’t wait. The hardest thing of all is the listening back to it and switching on just enough critical listening to discern the best takes without being so self-critical that you just want to discard the whole thing. Here we are back in November, which feels like years ago, at Systems Two, Brooklyn.
So here is a picture of my wonderful recording band. We will be playing this Friday at the 55 Bar in New York (if you or friends happen to be here) – all deets on my gigs page. Billy, is in Argentina so he won’t be at this one, which is a shame. Playing with him is like riding a racehorse – both incredibly sensitive and powerful at the same time. And, even if he is playing gently, you can feel that immense power is available to you – should you decide to go galloping off into the sunset, flying over every fence and hedge on the way. It’s so exciting. If you’ve seen him perform, watching him play gives you some idea, but actually playing with him is … well a whole other …er, animal. A horse animal.
Meanwhile, the rest of the band is amazing and we actually rehearsed (with Billy) and had more ideas. And I’ve had tons more since then. It’s hard to make myself go to bed even! I am so inspired by the subject and by my musicians (we have chemistry) – both their incredibe talent and their confidence in me (and mine in them). I can’t wait to go into the studio on Saturday and Sunday. I am so excited – and grateful – to be making this recording, and the more I think about it, the more important I think it is – speaking of runaway horses. I feel like I’m just riding this idea with no reins – clinging on and seeing where it’s going, hoping I don’t fall off (like I used to when I did real horse riding as a girl) because I really want to see where we end up. I have never been so excited to make a CD – and this will be my fifth.
In other news, my dear mentor, Mark Murphy died while I was in California. I was asked to write a tribute, which ended up being the Number One most read article in LondonJazzNews that week – which he totally deserved – and more. You can read it HERE.
And speaking of California, HERE is one of the songs we are recording this weekend in a video made by someone who heard me the last time I was in Saratoga and asked if he could film me this time. Somehow one of the camera mics got messed up but I think it’s manageable. This is a trio version. When I record it for the album, I think I want to do it just duo with my fabulous cellist, Dana Leong – one of the ideas I had this week. But we’ll see how it goes in the studio. More to come. Meanwhile, here are some photographs of my trip to California.
The Xerox Rochester International Jazz Festival was incredible, not least because we actually made it! First of all, two weeks ago, I fell and sprained my ankle, which put paid to dieting into the “perfect dress” for the PBS taping. Three days before the gig I was about half an inch away from it, but it was so tight I’d have had to walk like a robot and not be able to sit down without my body automatically springing into prone position! But three days before the gig, I managed to find the perfect dress on line. Sort of one-shoulder loose-flowing Greek goddess style with a split up the side in the lining and in the diaphanous fabric over it. I changed it from a “ho-dress” (a la the recent Met Ball affairs worn by Kim Kardashian and J.Lo and others who misinterpreted the brief) into sexy but classy, by sewing up the split in the diaphanous bit so there was the merest whisper of leg showing through it, and not bare. And actually, although the other dress would have been better for a studio taping, this one was perfect for the stage taping.
So I was all set. Until, the night before the gig, I got a text (thank you, Lord for making me sign up for text alerts) saying that all our flights were cancelled! This meant scrabbling around to buy – at vast expense – train tickets to Rochester for the four of us at $119 (plus $8.50 insurance) per ticket. It also meant getting up at 5AM in order to make the ONLY train that would get us there on time. The panic was insane. But we all made it and caught the 7:15AM which was getting us in a few hours later than the plane would have but … hey, getting us IN! And I could sleep on the 6.5 hour train journey, right?
So … a little tip: If you are hoping to sleep, never sit in the front car. The train whistle, that sounds so romantic and soft from anywhere else on the train, is blaring right in your ear in the front car. Added to which my fellow passengers (not my band, but the people behind us) were somehow able to sleep and were snoring loudly. Also farting. This is bad when your Kenny Werner meditation MP3 is exhorting you to “Breath in. Breath in deeper than you want to!” I moved to a new carriage, but somehow managed to sandwich myself between a baby with Whooping Cough (behind me) and a woman who was singing loudly and snapping her fingers in the seat in front. But it did mean I could sort out my set list, which came out like automatic writing. As it poured out of me, I thought, “But yes. This is perfect! This is the perfect song to follow this one….” – among other thoughts, like “Shut up!” and even meaner ones.
Finally, even later than “already late” we did a lightning-fast sound check so they could let in the giant line that was outside, leaving me 15 minutes to get ready! For a PBS taping! Having got up at 5AM. Having not been able to sleep on the train. But miraculously, I did transform myself from a baggy-eyed granny, into a GILF (F for Fondle of course!) with the help of a benevolent Universe, which had also seen fit to hide my hair brush (thank the Lord for fingernails!). Hair. Check. Makeup. Check. Dress. Check. Shoes… I pulled them out of my bag … two right shoes! Yes I wore them. They were gold! My other shoes were PayLess Shoe Source ballet flats! Luckily, I had already ordered a tall stool ahead of time because my sprained ankle turns into a boneless elephant’s foot if I stand on it for more than 15 minutes right now. But nerves? Shmerves! There literally wasn’t time.
The gig was so much fun! All the guys played brilliantly – even better than last month at the 55 – and you can read two wonderful reviews, one in the Democrat and Chronicle Jeff Spevak review PDF and another review in the Rochester City Paper here. Or in print, right here. Plus, in the City Paper post-Festival round-up I was referred to as one of “two favorite” vocalists (the other was Cecile McLorin Salvant, who I love), which is pretty amazing given how many truly great singers were at the festival.
Giant thanks to the festival’s Artistic Director, John Nugent who keeps having me back and put me in Kilbourn Hall this year because, he said, I’d earned it. And Barbara Cherry who insisted I did “Here’s to Life” (I had sent her a duo version I did with Dana years ago) and her favorite, “Eleanor RIgby” – both of which were popular choices. She also hooked up the cello by putting us in touch with the wonderful Sullivan Violins company, who generously loaned us one actually made by Ken Sullivan. She took pictures, handed out cards and was generally very bossy – in a good way. Thank you also to lovely Jessica, who was so capable she made me wish I had a daughter – my capable granddaughters are just a bit young! Every time I turned round to say: “Oh no! My pen!” or “Help! I forgot my (two right) shoes!” Jessica would be right there, holding her clip board in one hand, and my forgotten items in the other. Thank you! And thank you Rochester! I absolutely love you!
So … in spite of the Universe (or perhaps it was just testing me before the gig) we had a good one. Two standing ovations in Kilbourn Hall. People who were in the first set came back for the second set four hours later (Rochester Jazz festival audiences are the business, as we say in England). And PBS – who interviewed me after the first show (which they taped – said they were very happy. It will air all over the PBS networks in 2016 and of course you will be fully informed. As Dana said: “PBS! Our mums are going to go crazy!”
After all that, too exhausted to really hang out after the gig – although I did run into fabulous Joe Locke, who was playing Kilbourn Hall the next night (and who was so absolutely essential on my Beyond the Blue album) – I went straight to sleep, without checking that there was a link to my Kickstarter campaign from my website – as directed on all the little cards we were giving out to the wonderful audience. And I didn’t discover it until really late the next day because, at the airport with Dana, I suddenly came over all light headed and nearly passed out and then threw up (elegantly, I hope) in a nearby bin. An ambulance came, for heaven’s sake. In case it was a heart attack. And we had to get a plane four hours later. But, see, Rochester people are so sweet that even the man who had to change the bin found me later and asked me: “Are you feeling better now?”