Rochester Magazine arrived in the mail yesterday and somehow my picture and story leads the “Most Memorable Moments from the Festival” cover story. Thank you Gary Craig and Rochester Magazine and the Xerox Rochester International Jazz Festival. So great to be included among some of my favorite musicians – including Catherine Russell, Joe Locke, Gwyneth Herbert, Grace Kelly and more. In case the print is too small in this picture, you can read it online HERE.
I hope you can make it to Pizza Express on June 23, to celebrate love and happiness with Sean Hargreaves, Alec Dankworth, Winston Clifford and me. The deal has now been changed (well, the World Cup is on!) to TWO sets for $20. So if you can’t get enough of me (which I hope you can’t), then come to both. And if you can only make the second set, that is only $15. So book (please!) accordingly. The other day after a strangely happy set, Kirby (bar person at the amazing 55 Bar, where I am blessed to have been singing every month for the past 15 years) said I should do an entire CD of happy love songs called “Love Wins.” So let’s test it out! Love is a many splendored thing (no, I won’t be singing that) and should be celebrated more.
But I may have to include one or two sad songs, to keep people … er, happy! Because, apparently, negative emotions are addictive – activating the exact same beta-endorphine and dopamine pathways in our brains that heroin does! Here is a great article on TinyBuddha on what to do about it if you are a negaholic (yes, that is a word!).
Meanwhile, I have certain songs I simply won’t sing because I can’t mean them. “Don’t Explain,” for example. Are you kidding? “Skip that lipstick…?” I don’t think so! And if you can’t come up with a convincing explanation (what is amazing here is that you might think there IS one!) I will be a private detective until I find out whose it is. Now that I am with someone “perfect” (well, except for the hoarding!), I know that if you have to ask the question, you already know the answer. And having got used to a “good” one, and perhaps broken my addiction to that other kind, just looking at that other kind turns my stomach, like smoking does now that I’ve not had a ciggie for years!
In related news, I am on a “Negativity Fast” – you are not allowed to say anything negative for seven days and if you do, you have to start again from the beginning. Which is hard (in fact, just saying that might mean I have to start again from Day One – let alone bringing up the hoarding!). I’m on about Day … okay, I’m on Day One (again!). But it’s great to keep trying and be aware of it. And every night I list ten things I am grateful for. On my list today, I am super grateful to be going to Vienna for the weekend on the 15th to stay with one of my very best friends/kinda-sorta spiritual guru, singer-saxophonist Sheila Cooper – I will be recording one of her songs on my next album – followed by singing at Pizza Express and eating my favorite pizza, the FIorentina. Here we are the last time I was there.
It was such fun playing the London Jazz Festival, which was sold out! Two separate sets – they turned the house – and amazing audiences. The first set they were so quiet I wasn’t sure if they were even enjoying it (yikes!) but in the break so many people said they loved it and even cried (one person was “transformed” they said!) that I realized yes, British people are kind of shy – unless, of course, they are football hooligans (hopefully, the hooligans will be at the world cup).
There was a mini review of the second set at the Jazz Festival in LondonJazzNews: I have helpfully included it in its mini entirety below, but please do google Mini Reviews and LondonJazzNews to read more festival mini reviews, including Chris Potter, Jameo Brown and more. My friend Sue Edwards had requested I do the song, even though I wasn’t prepared and suddenly thought, Crikey! Will I remember the lyrics, it has been so long. But looking into Winston’s eyes reminded me. We used to sing it on every gig (about once a year). HERE is a 2009 version of us doing it.
“Tessa Souter, Pizza Express Jazz Club (18 November) A really beautiful, surprise a cappella duet from Tessa Souter and her drummer Winston Clifford at Pizza Express Jazz Club on Saturday night. Tessa’s version of Wayne Shorter’s Ana Maria (with her own lyrics) was also very moving.” (John Watson)
See you there! PS If you want to review my book, which would be super helpful, this is the LINK, where I see someone called Natascha just reviewed it. Thank you, if Natascha is one of you! What? You didn’t buy it yet? Well, I’d love it if you would. That $3.99 (minus Amazon’s cut), along with all writing proceeds, is going towards my radio promo campaign for the new album, which officially drops in September.
I’ve just found out about Tidal – according to the blurb:. “the first music service with High Fidelity sound quality, High Definition music videos and curated editorial, expertly crafted by music journalists.” Anyway, you can now stream my music on Tidal. One of my audiophile friends let me know, so I’m letting you know. Click the picture to go to the Nights of Key Largo album, but I think Obsession is on there too. In other news, my albums Nights of Key Largo (Venus) and Beyond the Blue (Venus) are now available as SACDs – Super Audio Compact Discs, For those who don’t know, single-layer SACDs can only be played on a Super Audio CD player. Check them out on the CDs page.
Each year that I go back to this jazz festival (this was my sixth year) it’s better than before! Rochester was my first ever festival (in 2007) and I think it will always be my favorite. I will always be forever grateful to Ron Netsky who wrote my first preview, and first review, which was the beginning.
This year I went a day early without even realizing that meant I could see one of my very favorite singers, the phenomenal Korean vocalist Youn Sun Nah. She was, as usual, amazing and we all loved her. At least I think that’s what three standing ovations means , , ,
And afterwards, backstage with Ron Netsky, she hugged and kissed me and asked after my family. I was amazed she would remember so much about me. from one meeting plus my having picked one of her songs as one of my Jazz Jukebox (click the play arrow) choices when I played at Ruth Price’s Jazz Bakery one year. Then again, that’s how she sings – very real and engaged and generous. I have bought her albums for the children in my life – I am nine, so I know what other nine-year-olds love – and they all love her too.
Our own festival gigs were fantastic. The Rochester crowd is always incredible. Someone in the audience on the first night welcomed me “home” and that is what it feels like now! But this year I was worried about filling such large capacity rooms (700 and 500) over two nights. But there had been so much fantastic pre-press in the Rochester Democrat & Chronicle and the Rochester City Paper (see below) that all the shows were packed and a lot of people came to both nights! Thank you. Here are the reviews of the first night for the first set (by Justin Murphy of the Rochester Democrat & Chronicle) and the second set (by Ron Netsky of the Rochester City Paper). Being interviewed by Derrick Lucas of 90.1 definitely helped too – although please excuse my appearance. Who knew that a radio interview would be video-ed! And thank you also Lee Russ on North Coast Radio. I’ll be back! Here are some of the pictures.
Thank you, Ron Netsky at the Rochester CIty Paper for this.
And Jack Garner (and Jeff Spevac – yes, do go and see Youn Sun Nah!) – for this
Okay, it is totally insane but SOMEHOW, along with one of my favorite singers in the whole world, Youn Sun Nah, I have been picked as the one show overall not to miss at the upcoming (and actually star-studded) nine-day Xerox Rochester International Jazz Festival. Youn will be performing on June 29th (I’ll be in the audience) and I will be performing on June 30 and July 1. So you can see us both! Hooray! Not sure how that happened but I am thrilled! You can read the whole article here. Thank you Jack Garner (who picked me) and Jeff Spevac (who picked Youn Sun Nah) for putting me in the same camp as one of my ultimate musical heroines. And thank you, Rochester, for having me back. This will be my sixth year!
Billy Drummond and I went to see Youn Sun Nah perform a couple of years ago at the Blue Note in New York. When we went back stage, I was amazed that she knew who I was. She gave me three of her CDs, which she’d specially saved for me. It is so great to meet someone you admire and find out that they are every bit as lovely as their music.
Finding my way between the two cities notwithstanding (always a challenge for the directional dyslexic), I was so thrilled to be back at Doc’s Lab in San Francisco this week, and blown away to have my debut at the San Jose Jazz Festival Summerfest, playing with wonderful musicians, Hristo Vitchev, Dan Robbins and Jemal Ramirez.
Not to mention staying with my lovely friend Shannon, surrounded by Redwood groves and lovely smelling flowers and eucalyuptus trees. Something about those Redwoods. They feel so present, as if they have souls or something.
And having my coffee on the deck in the morning with birds. And eating pears picked from the trees in the garden. Shannon totally spoiled me! I could get used to that life.
My San Jose Jazz Festival debut was amazing fun and we sold out Cafe Stritch, which surprised me because the venue is huge. Then again, that’s why we love festivals. I kept running into people outside when I was wandering around who said they’d been turned away at the door. But I played two days – the second day with just Hristo and Jemal in the Pagoda Room – so some of the people who hadn’t been able to get in the day before were able to make it, and some who had been there the day before made it again. It is so wonderful traveling for music and meeting new people – including my new-to-me cousin, Gabrielle, who came with her beautiful daughter, Arielle. And making it even more fun, we were interviewed on the spot for KCSM Radio by Dick Conte and Melanie Burzon. I love California.
Cafe Stritch has the best green room I’ve ever seen. You could have another gig up there. In fact, I think they used to have gigs up there years ago. I wielded my all-stages pass and ran into tons of great musicians, including Karrin Allyson (also playing at Cafe Stritch), The Royal Bopsters, JC Stylles, Will Calhoun, Nastuko and Eddie Henderson and Jana Herzen. It’s a beautiful festival in a beautiful city. More please!
I had such an amazing time in England this trip. First of all, I got to hang with my family, which was a gigantic treat. And I got to travel around the country a bit more than usual. I went to Durham for the first time, which is so beautiful. Super English and very civilized (by which I mean they had fish and chip shops, cake shops, tons of well-stocked Oxfams, decent Cadbury’s chocolate, PG Tips and great Indian food).
And I had my debut performance in gorgeous Newcastle which I am horrified to report I had never been to before, and which I was surprised to find at least as beautiful as (famously beautiful) Bath. Prior to this visit, the only associations I had were coal (as per the saying “Like taking coals to Newcastle”), beer (Newcastle Brown Ale) and factories. How wrong. Besides which, it’s worth going there for the accent alone, which is hands down IMO the most beautiful accent in all of Great Britain. I was asking directions just to hear it over and over again. And I got to play with the Peter Gilligan Trio which was really fun at a wonderful venue called The Cherry Tree. I have to keep reminding myself how lucky I am to play with all these great people all over the world.
Speaking of which, London’s Pizza Express was a blast. We had a packed house, which is always fun, and I got to sing with the incredible Cleveland Watkiss who surprised me by being in the audience and who I invited onto the stage for an unrehearsed “I’ll Remember April” (I think) as well as to join me with drummer/singer extraordinaire Winston Clifford (who I always love singing with in London) on Ayub Ogada’s “Kothbiro” – singing harmonies and taking turns at soloing. What an amazing singer and musician and what a treat it was to share the stage with him at first sight! My cousin, bassist Sara Loewenthal, of the Reggae Philharmonic Orchestra, who has wanted to get us in the same stage for years, took the pictures.
It was also my first time playing with Neville Malcolm and Sean Hargreaves – both beautiful people and players and this trio is now my UK core band. I love them and we laughed so much at our six-hour (pub break included) rehearsal – which I went to pretty much straight off the plane from New York. Eesh! Yes I was tired but it didn’t matter. And I also had my first ever gig at Pizza Express in Maidstone, which was lovely in a more low key way (by which I mean, er . . . not packed), and I met some lovely people, who I hope to see next time.
I’m finishing up my next CD and will plan a trip back maybe in the fall. Not sure yet. But definitely before the weather turns mean – although, it has to be said, it rained every single day of this trip. So I suppose, to borrow a poem by (quite obviously British) Anon:
We’ll weather the weather
Whatever the weather,
Whether we like it or not.”
See you then!
Well, actually, it aired already … on Valentine’s Day this year. But it’s coming back to be re-aired on the Rochester PBS Network on Friday, June 17th at 10pm on WXXI-TV, and has just been released to the national networks. Watch this space for more news. Meanwhile, you can read all about the unbelievable series of cock-ups that led to this gig almost not even happening HERE
Finally getting near to the finished mix of Picture in Black and White. Next up – mastering! I can’t wait. The hardest thing of all is the listening back to it and switching on just enough critical listening to discern the best takes without being so self-critical that you just want to discard the whole thing. Here we are back in November, which feels like years ago, at Systems Two, Brooklyn.